Bell Fraser

Each of Bell Fraser's clay works come out of a chain of time-consuming processes. The fish or shellfish, which are molded from clay, reflect the bounty of the waters surrounding Cape Breton Island. Unlike the work involved in making other types of pottery, the application, painting and glazing of these “critters” adds time and complexity to the fabrication of each piece. Aside from the rich detail evident on the creatures, the navy-blue glazed surfaces are hand-applied in three successive coats by brush, rather than by dipping. The cumulative results of these processes are works that are complex, elegant and beautiful.

Born and raised in Margaree Valley, Cape Breton, Fraser has worked with clay since 1986. After studying painting and ceramics at the Nova Scotia College of Art & Design in Halifax in 1990, she returned home to continue working. She now lives and has a production studio in Chimney Corner, south of Margaree Harbour, and galleries in Margaree Valley and Chimney Corner.

“(Her) work (recalls)...the renowned platters of Renaissance potter Bernard Palissey. While there is some whimsy here, there is nothing cute: souvenir clichés are elevated to artistic subjects.” Canadian House & Home magazine

Learn more about Bell Fraser's Cape Breton Clay online.

View some photos of her work on Nova Scotia Come to life's Facebook fan page.

Location

Cape Breton Clay is a stone’s throw from the Cabot Trail. Turn off the Cabot Trail at the Margaree Valley exit then watch on the right for a black house and barn (#642 East Big Intervale Road), both with red doors, white trim, and beautiful gardens. This shop is open seven days a week from June to October.

For those exploring the Ceilidh Trail on the west coast of Cape Breton, there is a smaller shop in Chimney Corner, on the Shore Road south of Margaree Harbour. Open most days 10am-5pm.
Call 902-248-2860